However I am interested in making use of the Sony created LUT FX9 footage to bring it as close to the Sony Venice color science as possible as that is what the LUT was created for. I can hand correct and bring into proper range the non-LUT footage. If I choose the Sony LUT for Sony sLog3.cine to rec709 for Venice (or any other LUT for that matter) the image then becomes unusably oversaturated. However it has no LUT applied (that I can find.) DEFINITELY not as flat as SONY log footage and definitely in proper range. If I choose YRGB COLOR MANAGED and DaVinci WIDE GAMUT in the color management preset box, The clip is converted to an image close to the original scene minus a bit of contrast and saturation. In project settings, if I set up the color management as DaVinci YRGB the clip looks like regular log footage. I am working with Sony sLog3.cine footage which should require a user chosen normalization LUT. I’m suspecting that somehow the normalization LUT (chosen from the LUT list either at the node level or in the media pool) is somehow being applied a second time which results in unusable super saturation and increased density of the image. I realize this must not be a widespread problem, although I’ve seen others on different forums present the same issue :
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